Post Malone’s releases 5th studio album “Austin”
Roughly 14 months subsequent to unveiling his studio album "Twelve Carat Toothache" in June 2022, Post Malone made a comeback last Friday (July 28) with his fifth LP titled "Austin." Just before the release of "Twelve Carat Toothache," Malone's life underwent significant transformations as he got engaged and became a father. Alongside these life changes, he also shattered the record for the most diamond singles ever, illustrating the profound shifts he experienced both physically and mentally between albums.
In April of this year, Malone caught the attention of his fans when they noticed a considerable weight loss. He subsequently shared on Instagram that he had chosen to quit drugs and soda while adopting a healthier diet. These positive changes were inspired by his newfound "dad life." Despite these alterations, Malone confessed that he continues to indulge in his two cherished indulgences: beer and cigarettes. However, he expressed his intention to eventually eliminate these habits from his life as well.
In his latest album "Austin," the renowned vocalist reveals the profound struggle he faces in eliminating drugs, alcohol, and cigarettes from his life. This marks a deeply personal and unprecedented expression of his inner self.
In a heartfelt caption accompanying his May Instagram post announcing "Austin," Malone reflected on the album's creation: "This entire journey has been a mix of challenges, rewards, and exhilaration, making it one of the most profound and exciting projects I've undertaken. It encapsulates my identity both as a man and as an artist at this very moment. I extend my heartfelt gratitude for your patience and unwavering support, standing by me even during my most trying moments."
In his previous albums like "Stoney" (2016) and "Beerbongs & Bentleys" (2018), Malone addressed his indulgent tendencies, often using them as a coping mechanism for relationship challenges or to project a tough image. However, in his latest album, there's a distinct shift. Malone exposes the emotional strain he undergoes as he distances himself from the high-paced celebrity lifestyle riddled with substances and superficiality. This shift is reflected in some of the most compelling songwriting he has produced in years, particularly evident in the initial segments of the project.
From the lyrics such as "Whiskey lullaby just to fall asleep" on "Something Real," "Don’t wanna sober up / The sun is killin’ my buzz, that’s why they call it mourning" on "Mourning," to "I knew the party was over when she tried to take my alcohol" on "Sign Me Up," Malone demonstrates an unprecedented level of self-awareness in the initial seven tracks of "Austin." These songs serve as a form of catharsis, vividly portraying the immense struggle he faces with abstinence. The toll of refraining from his past indulgences is palpable, highlighting the inner turmoil he endures. This marks a significant elevation in Malone's self-awareness and artistry.
Although his initial songwriting on the LP is arguably the sharpest it has been in years, his choices in production lack the boldness or distinctiveness one might expect. Utilizing familiar instrumentation consistent with his career, featuring either mellow acoustic guitar-driven pieces or tracks embellished with pop-style drums, it's a challenge for listeners to be truly captivated by Malone's performance, no matter how genuine and intricate his singing and writing are. This becomes particularly evident as the album progresses into its less cohesive second half.
In songs like "Overdrive," "Texas Tea," and "Buyer Beware," Malone falls short of the introspective standard he established in the earlier tracks. Nevertheless, there are still several standout moments in this segment of the album. "Enough is Enough" reveals his sense of shame in drinking, while the outro "Laugh It Off" marks a turning point where he begins to come to terms with his imperfections, acknowledging his humanity just like everyone else.
Mere months prior to the commencement of the release of "Austin," Malone exhibited a carefree attitude towards his detrimental habits, casually consuming beer from fans' shoes and smoking numerous cigarettes within a single day. However, the landscape has significantly shifted. While the 17 fresh tracks don't create a flawless masterpiece, they do artistically depict a transformed Post Malone. This new portrayal showcases a Malone who not only comprehends the necessity of a positive transformation but is firmly committed to achieving it, regardless of the sacrifices required.
I would give this 3 and a half out of 4 stars.