Maluma releases “Love & Sex Tape” Album
Maluma adds a touch of spice to his seventh album, effortlessly embracing the blend of romance and sensuality that defines "Love & Sex Tape." The Colombian heartthrob exudes a playful yet enticing sex appeal throughout this collection of tunes. With tantalizing glimpses shared on Instagram, Maluma took fans by surprise with the sudden release of his latest masterpiece, "The Love & Sex Tape."
Across the span of eight tracks, he revisits his reggaeton roots while infusing a captivating electronic element. Maluma's signature smooth flow seamlessly intertwines with his love-infused melodies and seductive hits.
This release coincides with a pivotal year in Maluma's career, where he not only marked his silver screen debut alongside Jennifer Lopez in "Marry Me," but also set stages ablaze with Madonna in his electrifying sold-out Medellín performance. A decade into his musical journey, Maluma emphatically conveys that his rise to fame hasn't diluted his Medellín street authenticity, as he continues to raise the temperature with his musical offerings.
Brimming with sensually charged tracks, "The Love & Sex Tape" emerges as Maluma's most provocative album to date. Igniting passions on the scorching track "Nos Comemos Vivos," Maluma collaborates with Puerto Rican vocalist Chencho Corleone, renowned for his recent chart-toppers with artists like Bad Bunny, Rauw Alejandro, and Anitta. In this reggaeton escapade, Maluma unabashedly delves into the realm of intense makeup intimacy, embracing the notions of "nasty" and "messy."
Furthering the album's steamy narrative, Maluma teams up with Colombian singer Feid on "Mojando Asientos." Their voices merge as they croon about indulging in wet and exhilarating moments within the confines of a car's backseat, all while proudly representing the reggaeton spirit emanating from their hometown, Medellín.
Maluma masterfully delves into the realm of intimacy as well. With the collaboration of Puerto Rican veterans De La Ghetto and Arcángel, he delves into the more sensual facets of reggaeton in "Tsunami." Together, the trio of Maluma, De La Ghetto, and Arcángel exude a suave charm as they serenade their lovers, effortlessly guiding them into states of ecstasy. Their collective prowess in this dreamy love ballad is so captivating that it might warrant a metaphorical "flood insurance."
Maluma also gazes toward the future of reggaeton, enlisting the talents of emerging Boricua artists Jay Wheeler and Lenny Tavárez in "Sexo Sin Titulo." In this track, they each present their cases for engaging in no-strings-attached encounters, infusing the song with a contemporary touch.
On "Cositas de La USA," Maluma proves his ability to captivate even when flying solo. Within this sultry reggaeton bop, his audible grin matches his Spanish lyrics that declare, "I'm not a bad boy, but for you I can be." The alluring confidence that has defined Maluma's career is palpable here, reaching its peak. A minor drawback of the album is its brevity, comprising only eight songs. Nonetheless, Maluma is intent on delivering satisfaction, ensuring that every second of the album counts.
I would give this 3 out of 4 stars.