Fall Out Boy takes over Sacramento
The kickoff of Fall Out Boy's latest tour, "So Much for (2our) Dust," unfolded with a sensational display in Sacramento, CA, last Sunday night. Let's delve into the details.
The evening commenced with Daisy Grenade, followed by a spirited performance from The Maine.
Taking the stage next, Jimmy Eat World had the audience fervently engaged, as concertgoers stood, danced, and sang along. Their impeccable timing with lighting cues and a nostalgic journey through their repertoire resonated with the crowd. Starting their set with "A Praise Chorus," they continued with hits like "Big Casino" and "Sweetness." Frontman Jim Adkins proudly announced that Sacramento had set a high bar for the upcoming tour, offering a word of caution to Anaheim. The stage setup featured a unique backdrop with a large curtain, and other band members showcased their skills on guitar, bass, drums, and keyboard. The set concluded with the crowd-pleaser, "The Middle." Jimmy Eat World’s gallery can be found here.
During the intermission preceding Fall Out Boy's performance, the audience continued to revel in the golden years of rock and pop punk. Enthusiastically singing along to classics like "Dear Maria, Count Me In" by All Time Low, "Check Yes, Juliet" by We The Kings, and “I’m Not Okay” by My Chemical Romance, the atmosphere was electric with nostalgia.
Suddenly, the lights dimmed, and Fall Out Boy's iconic ying-yang symbol materialized on the curtain, eliciting screams of excitement from fans who knew the Wilmette band was about to hit the stage. Drummer Andy Hurley, along with his drums, smoothly rolled from the back to the center. Soon after, Patrick Stump, Pete Wentz, and Joe Trohman made their entrance.
The band kicked off their set with "Love From The Other Side," followed by electrifying performances of "The Phoenix" and "Sugar, We’re Going Down." Pyrotechnics ignited from various points on the stage, complementing the spectacle, including bursts from Pete’s bass. It was a visually stunning experience. Throughout the initial part of their set, a large red curtain loomed behind Andy’s drums, leaving fans curious about what awaited.
As "This Ain't a Scene, It's an Arms Race" unfolded, the curtain descended, revealing a massive rotating head of a Dobermann dog. Green lights flashed, and the crowd went wild. A standout moment included Patrick's flawless rendition of "Heaven, Iowa" from their "So Much (For) Stardust" album, showcasing his impressive vocal range.
In the midst of the set, Pete addressed the crowd, urging them to embrace creativity during the pandemic, stating, "Instead of being paralyzed, make this weird record, make stuff so you feel like you’re alive." All eyes were on the stage and the side screens as he spoke.
A memorable instance occurred during the performance of "Fake Out" when fans held pink lights, illuminating the entire arena. The acoustic guitar added a beautiful touch to the song. Pete later addressed the crowd again, expressing disbelief at playing new music in a sold-out show in Sacramento in 2024. The fans erupted in screams as he conveyed his love for the city.
Fall Out Boy didn't just stick to their own hits; they treated the audience to covers, including a piano rendition of Queen’s “Don’t Stop Me Now” and Ozzie Osbourne’s “Crazy Train,” both executed fantastically with the crowd singing along with Patrick. Fall Out Boy’s gallery can be found here.
The culmination of their 26-song set was the fan favorite, "Saturday." It was an incredible night, and the fans expressed gratitude to Fall Out Boy for holding them captive in the embrace of their music.