Arctic Monkeys release new song “I Ain't Quite Where I Think I Am”

As Arctic Monkeys gradually unveil tracks in anticipation of the release of "The Car," the unmistakable influence of the 1970s comes into sharper focus. In addition to hints of Elton John and David Bowie, the latest track, "I Ain't Quite Where I Think I Am," introduces flashes of Jimi Hendrix's masterful guitar artistry. This song exudes a straightforward funkiness that sets it apart from "Body Paint" and "There'd Better Be a Mirrorball," which clearly echoed the style of "Tranquility Base Hotel and Casino." In "I Ain't Quite Where I Think I Am," Arctic Monkeys venture into uncharted territory within their discography, exemplifying a fresh sound inspired by vintage influences.

The third single from "The Car" possesses a layered simplicity, opening with what appears to be a sigh of relief. Arctic Monkeys have discovered a compelling groove this time around, marked by the continued embrace of 1970s aesthetics. Their stylistic choices pay homage to the genre's legendary pioneers while maintaining their characteristic spy-like lyricism. References to retina scans, eerie keypads, and a disco strobe evoke a blend of James Bond, Roger Moore, and Saturday Night Fever all at once. This frenetic amalgamation is masterfully orchestrated by Alex Turner, but it's the guitar work that truly shines. Beyond the music, the song offers a thoughtful critique of idleness and the unpredictable nature of media scrutiny, an issue the Arctic Monkeys have grappled with in the past.

There's no immediate need for the band to grapple with such issues now; their meteoric rise has elevated them to a seemingly untouchable status. Even a track that doesn't quite meet expectations, like "I Ain't Quite Where I Think I Am," can still leave a lasting impact. In the song, Turner expresses frustration with trembling hands and being overwhelmed by the dazzling disco lights, leaving a lasting impression. The interplay between his guitar work and the sporadic instrumentals creates an intriguing but somewhat subdued dissonance. It's a subtle dissonance that can be sensed as Arctic Monkeys appear to immerse themselves further in their musical influences. While this approach worked beautifully on the emotionally resonant and eventually exhilarating "Body Paint," it feels slightly less polished in the context of "I Ain't Quite Where I Think I Am." Although it strives to capture a specific mood and reflection, it comes across as somewhat clumsy.

So, where do the band envision themselves now? They aim to create something more stripped-back and "down to Earth," yet there's an undeniable continuity with their previous work, notably "Tranquility Base Hotel and Casino." At times, Turner's work takes on a mystical quality, evoking a sense of detachment. It's a fine song that, as Turner hopes, sends a chill down the spine. Is it the result of vivid imagery and the influence of Hendrix's funk, or is it the product of clever wordplay? Perhaps it's a combination of both, as neither element operates effectively without the other. That's why it's somewhat perplexing that these elements seem to push against each other rather than harmonize in a track that demands unity, clarity, and pacing. "I Ain't Quite Where I Think I Am" doesn't quite possess the full spectrum of what it aspires to convey.

I would give this 3 out of 4 stars.